But, there is a critical flaw in Holland’s screenplay that will be fatal to many suspense fans. In a pivotal moment, one of the main characters makes a choice that doesn’t make sense and puts everyone in much more jeopardy. It’s an illogical move that was done to move the narrative forward in an unnecessarily stringent direction for no reason at all. This misstep puts a big cloud over the remainder of the picture. Also, there is a baptism scene that goes on for too long.
“…brilliant…wildly succeeds…”
However, all the film’s flaws are instantly forgiven by Holland’s brilliant move of setting the proceedings during Christmas. While it is lacking in its thriller foundation, An Intrusion wildly succeeds as a jet black holiday picture. While the holiday market has tidal waves of romantic comedies to fill the ocean around the coral reefs that are traditional family classics, there are deep caves of grisly Anti-Claus titles to be found. These are violent and depressing features, prized among film enthusiasts and collected like trading cards or whispered in hushed tones when mentioned at parties. These movies act as an antidote to the saccharine sentimentality of Yuletide. You can fulfill your holiday viewing requirements while still painting the screen blood red.
Many such flicks are horror or comedy, not a lot of suspense. Holland works hard on integrating Christmas into the core of the story. The festive setting also provides a weird balance to the grave proceedings. This can make for several cherished moments for those with unusual tastes. One sequence of driving through an awesome downtown light display while having a very adult conversation is pure Jesus Birthday weirdie gold. If you dig naughty seasonal offerings, put An Intrusion on your nice list.
"…Holland works hard on integrating Christmas into the core of the story."
[…] An Intrusion […]