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DOUBLE NICKELS ON THE DIME

By | November 2012

Utilizing one continuous shot for the entire 30+ minutes of the short, the film tackles a number of normal filmmaking situations, such as flashbacks and even more conventional edits, via extremely creative use of the cinematography to create a narrative that never stops in its loop (even the DVD I watched re-started the entire short if you didn’t stop it, perpetuating said loop)…

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