MONSTER

Reviews

MONSTER

Patty Jenkins’ “Monster” shines its headlights onto the gruesome wreckage that piles up when romantic, youthful ideals are shattered by desperation...

Reviews

HOUSE OF SAND AND FOG

Two pictures certain to figure in the upcoming Oscar race offer complex, emotionally wrenching examinations of the modern immigrant experience. Both In...

IFP IS LOOKING FOR YOU!

IFP/Los Angeles is now accepting applications for the 2004 IFP Los Angeles Film Festival, which will take place from Thursday, June 17 through Saturday,...

News

CATCHING UP WITH THE BLACK DAHLIA

Stay up to date with what's going on in the production of Ramzi Abed's "The Black Dahlia" at the film's official website, which continues to grow as the...

Features

MOVIES ON THE BRAIN: “UNDERWORLD”

1:02 – The term “coven” should be used only for witches. Vampires using it just seems wrong. 1:05 – Apparently Grandpa Simpson is the head...

Features

EXCESS HOLLYWOOD: LET’S LYNCH THE AUDIENCE TONIGHT

I, like many film fans, enjoy David Lynch's work. The mainstream filmgoers, however, have a different take on his films. Put simply: They don't know what...

Features

MEMO TO SANDLER ET AL: STOP REMAKING GOOD MOVIES

Dear Adam, I understand your predicament. You finally made a movie that Roger Ebert liked (Punch Drunk Love) and nobody went to see it. Hell, even the...

Reviews

THE GIRL FROM PARIS (Une hirondelle a fait le printemps)

This warm and ultimately touching French drama features an unusual relationship at its center as it examines the gulf between city and countryside....

Reviews

THE LADY AND THE DUKE (L’Anglaise Et Le Duc)

At age 81, Rohmer is like the grandfather of French cinema. He keeps innovating, yet his films are infuriatingly French (that is, talky and pretentious)....

Reviews

DISBELIEF

In 1999, persons unknown set off a bomb in a Moscow apartment building. Chechen terrorists were quickly blamed for the blast that ended up killing almost...

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