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THE UNBELIEVABLE TRUTH/BABY EAT BABY

By | February 2004

Zagar and his collaborators Nathan Caswell and Michael Reich understand, at least as well as anyone, that graphic imagery broadens the mind, as well as the possibilities of narrative discourse…

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THE UNBELIEVABLE TRUTH/BABY EAT BABY

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These two short films came to me on one tape. Their common point seems to be collaboration-prone writer/director Jeremiah Zagar; they also have in common...

Reviews
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NORMAN MCLAREN: THE COLLECTOR’S EDITION (DVD)

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Most people are probably not familiar with the works of the Scottish-born, Canadian-based Norman McLaren.  From the 1940s through the 1960s, McLaren was...

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SKATING & THINGS

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Sweet Jesus - I mean, really … someone just needs to do the world a favor and take Peter Kirby’s camera away. Far, far away.  This video is exactly...

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DOWNWARD SPIRAL

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I’ll tell you – I wasn’t so sure this flick was going to be all that much fun when I saw the running time – 3 1/2 hours (or ‘1/2 hour if on...

Reviews
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DEVIL’S POND (DVD)

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There is plenty about this direct-to-disc title that comes off as inconsistent, starting right away with that title. “Devil’s Pond”? Some terms...

Reviews
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FLUFF

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Fluff is sixty-five minutes long. I just spent the last ten minutes going through my video collection, and the only movies I own that fall under the...

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SXSW 2004 SNEAK PEEK: “DEAD & BREAKFAST”

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The full schedule of films has yet to be announced for the SXSW 2004 Film Festival in Austin, Texas this March, but there have been a few confirmations. ...

News
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“ROBOT STORIES” OPENS IN SELECT THEATERS

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Greg Pak's "Robot Stories" opens in New York at the Cinema Village on February 13th and in Los Angeles at the Laemmle Fairfax Theater on March 12th. See...

Bootleg Files Features
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THE BOOTLEG FILES: “THE THREEPENNY OPERA”

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BOOTLEG FILES 018: "The Threepenny Opera" (1962 German film version of the Brecht-Weill musical classic). LAST SEEN: Turns up occasionally on German...

Interviews
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DON’T STOP BELIEVING: “TRIBUTE” FILMMAKERS (part 2)

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Steven Soderbergh is the executive producer of Tribute. At what point did he become involved? RICH FOX: When Soderbergh got involved...we had been...

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