Interviews

WILLEM DAFOE: MONSTROUS KINKY

By | October 2002

What was the most satisfying thing about the success of Spider-Man? That’s a tough one… I really like Sam Rami and I…

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WILLEM DAFOE: MONSTROUS KINKY

What was the most satisfying thing about the success of Spider-Man? That's a tough one... I really like Sam Rami and I like a lot of the people involved...

PHILIP GLASS: A THEME FOR CHAOS

It all began in 1983 when Philip Glass composed his first film score for Godfrey Reggio’s “Koyaanisqatsi.” The score went on to become one of his...

LESLIE CULTON: REVENGE OF THE INVISIBLE NERD

What were you like growing up? ^ I was very shy, quiet and in awe of my older sister. I knew growing up, that I would never get the attention from boys...

WILLEM DAFOE: MONSTROUS KINKY

Willem Dafoe doesn’t need any damn silly mask to play a creep. So now that he’s done chasing Spider-Man around, Dafoe is back to his old creepy self as...

MARTIN KOERBER: REBUILDING “METROPOLIS”

Few productions have had a more profound impact on motion picture history as Fritz Lang's 1927 masterwork "Metropolis." The film's plotline, production...

HAVE SMUT, WILL TRAVEL: A TED BONNITT INTERVIEW

Over the past half-dozen years, an increasing number of filmmakers have taken the route of self-distribution to bring their films to moviegoing audiences. ...

HAVE SMUT, WILL TRAVEL: A TED BONNITT INTERVIEW (part 2)

When did you originally decide to self-distribute Mau Mau Sex Sex? Had you been in touch with established distributors before going out on your own? ...

HAVE SMUT, WILL TRAVEL: A TED BONNITT INTERVIEW (part 3)

Many people may not realize this, but your film was the first to be theatrically distributed on DVD. How did you come up with the idea of releasing the...

DIY FILMMAKERS: KEVIN RUBIO’S “TROOPS”

A Stormtrooper glides across the desert of Tatooine on a speeder bike speaking to the camera in a Fargo-like accent, "...some people might call this the...

MATTHEW BRIGHT: BIG BAD WOLF

Midgets and serial killers are two film topics that don’t seem to have any correlation unless you get inside the head of writer-director Matthew Bright...

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