Rifqi’s imposition of the inheritance laws, in which he seeks Nawal’s house and belongings and even threatens her with claiming custodian rights, is a striking remark on male opportunism. The writing of Rifqi is something to keenly notice and address, for he’s not just a cruel antagonist. He is an extension of the overarching prejudice in society. In his personal opinion, he is merely fighting for his legal rights. He is uniquely constructed as a baddie who is overbearing but relatively ordinary. On the contrary, Nawal resists his intentions, for she rightly believes he is being immoral. Nawal and Rifqi are two sides of a debate that pits the moral high ground against judicial loopholes, offering the viewers a story that highlights an issue affecting women and, by extension, the entire civil structure of families and households in Jordan.
Inshallah A Boy inclines towards an emotional telling of Nawal’s struggles as a widow and reflects the overarching results of oppressive ideologies. But, at the same time, the film is also charging and enduringly brave, for the protagonist isn’t ready to be tamed and will fight for the rights that shall be passed on to her for her daughter’s safety. Mouna indeed carries the story with her captivating performance, wherein she perfectly portrays Nawal’s fears and fierceness. Her expressions and delivery create a tonal contrast. She feigns submission to male domination, all while fighting prejudicial prerogatives.
“…speaks volumes about its country and the road to freedom.”
A subplot features Nawal’s employer’s rebellious daughter and highlights the differences in generations. Lauren (Yumna Marwan) believes in free will and is against the gender-based power dynamics in Jordan. She is kind of the anti-thetical Nawal, who, despite her prejudicial beliefs, is still respectful of her religious values and cultural norms. Lauren is the most significant inclusion in the film. Her character discourses the significance of freedom for women, whereas her differences with Nawal present how cultural norms and gender equality are irrelative and, hence, shall co-exist. It’s a clear statement that it’s not the religion or culture that’s instigating discrimination but rather their misleading and false interpretation by people that’s causing harm.
In the end, Inshallah A Boy leaves you with a climax that inspires hope but also questions how long it’s feasible to rely on short-lived optimism instead of leading a discourse for change. Still, the acting is superb, and the pacing is remarkable. But most importantly, the look into women’s rights, morality, and normalized societal oppression speaks volumes about its country and the road to freedom.
Inshallah A Boy screened at the 2024 Palm Springs International Film Festival.
"…leaves you with a climax that inspires hope..."
