Avengers: Endgame

Hunter Lanier

The season finale of the Marvel Variety Hour (or three) is spottier than Infinity War, though, like that movie, it’s subversive where it counts. There are some well-earned moments that play upon the existing interpersonal dynamics (Hawkeye and Black Widow), which is when the movie is at its best. When it’s at its worst, as with the finale, it falls into some old tentpole traps—the scope exceeds the story’s grasp. Things become so massive that any tangible sense of stakes goes out the window, even in a superhero context.  7 out of 10 

Matthew Passantino

The heavy sense of finality hangs over every frame of Avengers: Endgame, which allows an extra layer of potency that may have escaped most of the movies that came before it in the MCU. The movie begins immediately following the events of Infinity War and the ramifications of the previous film allow for character work and nuance that isn’t always seen in superhero movies. For once, Iron Man and Captain America feel like people and not just characters. There’s no sense in going into specific plot details because everything could be taken as a spoiler but Endgame is all about its cumulative power, rather than trying to surprise you at every turn. At times, it feels like the weight of its own endeavor is at risk at caving in but the Russo Brothers, along with the entire cast, bring a rousing, emotionally satisfying conclusion to this series. As someone who has had one foot in and one foot out of the MCU for 20-plus movies, it’s safe to say they more than stick their landing. A bit too long and rambling at times, Endgame serves its purpose as a singular film a celebratory capper to an expansive franchise.  8 out of 10