Features

ENTER THE DEN OF SIN: DISNEY CAN KISS MY HALF-ASIAN ASS

By | June 2004

And if we thought we were impressed with the level of animated storytelling with the first film, we were about to have…

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ENTER THE DEN OF SIN: DISNEY CAN KISS MY HALF-ASIAN ASS

And if we thought we were impressed with the level of animated storytelling with the first film, we were about to have our minds seriously blown with...

Bootleg Files Features

THE BOOTLEG FILES: “THE HOMOSEXUALS”

BOOTLEG FILES 034: "The Homosexuals" (1967 CBS News documentary on the pre-Stonewall gay subculture). LAST SEEN: Recently excerpted in a Bravo special...

ENTER THE DEN OF SIN: DISNEY CAN KISS MY HALF-ASIAN ASS

As a holdover from Asian Heritage month I decided to use my first week back as primary programmer to catch up on some anime which we’d missed over the...

MOVIE MARKETING MADNESS: THE TERMINAL

I really enjoy Steven Spielberg’s movies. I’m not a slavish devotee who crosses himself every time Spielberg’s name is mentioned, but the man has...

EXCESS HOLLYWOOD: I WAS A TEENAGE JASON VOORHEES

Back in the mid-Eighties I met a guy my age who shared my love of horror movies. His name was Rick, and we would spend hours upon hours talking about...

MILK CARTON CINEMA: “JOHNNY MNEMONIC”

Obsolescence Minded One additional limitation to William Gibson’s version of contemporary fiction is that it quickly becomes outdated. The type...

CRITIC DOCTOR IS IN: IS PETER TRAVERS’ REVIEW IN ROLLING STONE AN UNNATUR

CRITIC DOCTOR EXAMINES: Roger Ebert (suntimes.com), Peter Travers (rollingstone.com), Colin Kennedy (empireonline.co.uk), Rob Blackwelder...

A DAY AFTER “THE DAY AFTER TOMORROW”

(Considering the amount of people interested in seeing this film here is a warning that numerous spoilers are included. In fact the whole piece is...

MILK CARTON CINEMA: “JOHNNY MNEMONIC”

The Keanu World Order There can be little surprise that there exists a Keanu Reeves movie which would fit the criteria of MCC (how the college hipsters...

THE BOOTLEG FILES: “NO, I HAVE NO REGRETS”

The pre-credits sequence of "No, I Have No Regrets" is perhaps the most jolting of any documentary opening. The camera is set on a stage looking out into...

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