Interviews

MY DINNER WITH BOB

By | March 2003

What is your hope for the film? That it gets distributed. Does that mean anything to you? That you would get to…

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Interviews

MY DINNER WITH BOB

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What is your hope for the film? That it gets distributed. Does that mean anything to you? That you would get to see it. That's all that means. It's a...

Interviews

THOM FITZGERALD & SARAH POLLEY: “SPECIAL EVENT”

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What makes a Sundance audience cry? Try Thom Fitzgerald’s AIDS drama The Event Not a dry eye in the house. The Event deals with the investigation of a...

Interviews

REGGIE BANISTER: HOT AS LOVE

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In a genre where charismatic villains rule the day, heroes are hard to come by. And, by “hero,” I don’t mean the obligatory “final girl” who...

Interviews

DAVID CRONENBERG: HIS “SPIDER” HAS MORE BITE THAN BARK

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The title sequence for Spider is really unique. It starts out with these incredible textures. In fact, it seems all your films have these remarkable title...

Interviews

JOHN DULLAGHAN: CONJURING THE GENIUS IN A BOTTLE

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What sort of challenges did you face in doing the documentary? ^ Well, no money. I quit my job soon after beginning this project. So I would go and...

Interviews

TOBY RADLOFF: A REAL AMERICAN NERD

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Seems like everyone’s confessing to being a nerd or a geek nowadays. It just seems like a cool thing to do. No one is really ashamed anymore that their...

Interviews

WELCOME TO THE DOLLHOUSE

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Filmmaker Kurt Voss has established a solid reputation as an auteur with an eye for the gritty, sardonic side of the rock'n'roll life - most notably with...

Interviews

WELCOME TO THE DOLLHOUSE

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When it came to working with musicians who are essentially non-actors, how did it affect your approach to giving them direction? ^ It was a challenge to...

Interviews

“FINAL DESTINATION 2”: NO CRASH LANDING

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People who have a fear of flying are seldom comforted by the statistic that death is six times more likely to happen in a car than in a plane. It was with...

Interviews

ROBERT REDFORD: THE SUNDANCE KID

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Regarding the younger audience, in the 1980s, Francis Coppola tried to appeal to them with what he called “art films for kids,” making “The...

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