Interviews

QUENTIN LEE: THE LIBERATION OF “ETHAN MAO”

By | April 2005

Your films bring a depth and scope of maturity and sensitivity to issues relating to the Asian-American and gay communities, which are…

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QUENTIN LEE: THE LIBERATION OF “ETHAN MAO”

Your films bring a depth and scope of maturity and sensitivity to issues relating to the Asian-American and gay communities, which are two demographic...

LESLIE CULTON: REVENGE OF THE INVISIBLE NERD

It's no accident that Leslie Culton ended-up starring in B-movies. At the tender age of twelve she discovered the cult classic British sci-fi TV show "Dr....

DR. JEKYLL AND MR. REDFIELD

From theatre, came film, at least for Redfield’s father. “Dad is an artist who works in ceramics, but early in his art and teaching career he made...

APRIL BURRIL: THE WOMAN WHO IS CHAINSAW SALLY

Chainsaw Sally, the film, has become something of a cult pre-classic on the festival circuit, winning awards and finding itself in a minor bidding war...

BRET WOOD: IN SEARCH OF CINEMATIC EDISON

The American motion picture industry began with Thomas Edison and his brigade of inventive technicians during the final years of the 19th century. Edison...

DEBBIE ROCHON AT TWO ENDS OF THE SPECTRUM

Two of the most ambitious and anticipated independent films of 2004 are about as opposite in tone, structure and genre as you can get. “Dr. Horror’s...

MICHAEL RODRICK ON “NOWHERE MAN”

Please be warned that this interview is rife with spoilers for the film “Nowhere Man”. Don’t read on if you plan to see the film and hope to be...

DAN HARRIS: IMAGINARY HERO

I really thought "Imaginary Heroes" was very touching, but there is very sharp humor throughout. What is your approach to writing comedy? Well, it was the...

RYAN DACKO: THE ANTARCTICA AUTEUR

Inspiration can come in the most unlikely places. For Ryan Dacko, the inspiration to create the screenplay of his feature film debut And I Lived came in a...

JASON TOMARIC: TRAVELLING INTO THE FUTURE ON A BUDGET

Jason Tomaric's sci-fi epic, "cl.ONE", a film about post WWWIII human cloning, features 3,000 extras, 48 locations, 650 digital effects. Not bad...

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