Top 5 Memorial Day Horror Films to Celebrate the Dead—Literally Image

Top 5 Memorial Day Horror Films to Celebrate the Dead—Literally

By Film Threat Staff | May 26, 2025

Memorial Day is a solemn occasion—a time to remember and honor the men and women who gave their lives in service to our country. It’s a day of flags at half-mast, quiet reflection, and deep gratitude for the freedoms we enjoy because of their sacrifice.

But once the wreaths are laid and the barbecues are fired up, there’s room for another kind of tribute: the cinematic kind. And in the grand tradition of indie horror, where no holiday is safe, some filmmakers have dared to twist Memorial Day into a backdrop for terror. What better way to honor the fallen than with stories where the dead don’t stay buried, and justice comes wearing combat boots?

So, crack open a cold one, fire up the projector, and prepare for some patriotic carnage. These are the Top 5 Memorial Day Horror Films that dig deep into the red, white, and blood.

Sure thing! Here’s your polished listicle in Film Threat style—irreverent, indie-minded, and just the right amount of blood-spattered patriotism:

Close-up of a masked killer's eye with a dark forest and ominous figure in the background from the horror film Memorial Day (1999).

A masked killer returns for blood-soaked revenge in Memorial Day (1999), a forgotten gem of ’90s indie slasher horror.

Memorial Day (1999) – The Obvious Pick That No One Talks About

Directed by Christopher Alender

Let’s get the on-the-nose pick out of the way. Memorial Day is a no-budget slasher from the tail end of the VHS era. A group of college kids takes a weekend trip to the woods (when will they learn?), and naturally, a masked killer shows up to ruin their holiday. It’s cheesy, bloody, and wonderfully stupid—but if you want a movie that literally screams “Memorial Day,” this is the grindhouse casserole you’ve been looking for.

Perfect for: Fans of ‘90s SOV horror, backyard bloodbaths, and budget-level brilliance.

Undead soldier with blood on his face drives a car with a menacing grin in a scene from Dead of Night (1974).

Andy returns from Vietnam not quite alive in Bob Clark’s Dead of Night (1974), a chilling portrait of war trauma and zombie vengeance.

2. Dead of Night (1974) – PTSD with a Pulse

Directed by Bob Clark

The late Bob Clark (yes, the same guy behind A Christmas Story and Black Christmas) delivered one of the earliest and most haunting horror films about the aftereffects of war. A soldier returns home from Vietnam—after being declared dead—and his loving family quickly realizes something’s horribly off. This slow-burn chiller wraps grief, denial, and undead dread into one of the most underappreciated horror gems of the ’70s.

Perfect for: Fans of emotional horror with brains and bite. Also: zombie dads.

Creepy Uncle Sam mask with white eyebrows and beard lies on a table in a scene from Uncle Sam (1996).

A sinister symbol of patriotism gone wrong—Uncle Sam (1996) turns this iconic mask into a harbinger of red, white, and revenge.

3. Uncle Sam (1996) – Red, White, and Blood All Over

Directed by William Lustig

What if America’s most patriotic holiday got the Maniac Cop treatment? That’s Uncle Sam. A dead Gulf War soldier comes back on Independence Day to punish the unpatriotic. Technically, it’s set on July 4th, but the film’s underlying message—about how we glorify war and forget its human cost—hits harder than most “war is hell” lectures. Also, Isaac Hayes shows up with a rocket launcher, and if that doesn’t scream “cinematic masterpiece,” we don’t know what does.

Perfect for: People who like their satire with stars, stripes, and stab wounds.

Zombie soldier in military uniform speaks at a political rally in Joe Dante’s Masters of Horror: Homecoming (2005).

In Homecoming, part of Masters of Horror, the dead rise to vote—and they’re not happy—with Joe Dante’s scathing political zombie satire.

4. Homecoming (2005) – Joe Dante Gets Political

Part of Masters of Horror, Season 1

If Night of the Living Dead and The West Wing had a zombified lovechild, it would be this Joe Dante-directed episode. Dead soldiers rise—not to eat brains, but to vote. Yes, really. It’s a savage takedown of the Iraq War, election hypocrisy, and how we use (and abuse) the memory of the fallen for political gain. It’s not subtle, but then again, neither is zombie democracy.

Perfect for: Horror fans with brains (and hearts) who want their scares with substance.

Terrified woman in a sheriff’s uniform leans against a door as a masked killer in military gear lurks outside in The Prowler (1981).

A ghost from World War II returns with a pitchfork and a grudge in The Prowler (1981), one of the most brutal slashers of the ’80s.

5. The Prowler (1981) – Slasher Justice in Combat Boots

Directed by Joseph Zito

One of the unsung greats of the early-‘80s slasher boom. The opening scene: a WWII vet gets a Dear John letter and returns home to commit a grisly murder during a dance. Thirty-five years later, someone dressed in full military gear (including a bayonet!) starts killing teens at the exact same spring formal. The gore? Next level. The villain? Terrifying. The theme? Trauma doesn’t take a holiday.

Perfect for: Lovers of practical effects, grimy slashers, and Savini-level kills.

Jason Voorhees in a hockey mask submerged underwater and chained at the neck in Friday the 13th Part VI: Jason Lives (1986).

Evil never dies—it just takes a breath. Jason Voorhees waits patiently at the bottom of Crystal Lake in Friday the 13th Part VI: Jason Lives.

Honorable Mention: Friday the 13th Part VI: Jason Lives

Okay, so it’s not about Memorial Day, but come on—it’s got summer camps, undead soldiers (Jason was a boy scout, probably), and small-town Americana. It’s a Memorial Day mood, even if no one’s saluting.

Final Thoughts

Hollywood may have forgotten that Memorial Day could be ripe for horror, but these films prove otherwise. From low-budget slashers to undead satire, they remind us that the dead don’t always rest peacefully—and sometimes, they come home.

So fire up the grill, raise a flag, and press play on something that honors the holiday in true Film Threat fashion: bold, bloody, and blissfully independent.

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