As the narrative shifts to Tash’s care for Ruby and Ned’s unexplained hostility, things take a turn for the better. Tash’s quest to understand her grandmother’s sundowning is not just a captivating twist but a mirror to the struggles many families face with aging loved ones. Ned’s anger, though harmful, is not just relatable, but it’s a stark reminder of how emotions can sometimes get the better of us. Doug’s work struggles add a layer of realism to the family’s financial worries, a theme that resonates with many. These engaging threads keep the audience not just intrigued but emotionally invested.
None of the plot threads of Ruby’s Choice would work without the cast. While her character is poorly written, McKenzie’s portrayal is a testament to her talent. She manages to make even the most questionable actions/decisions that of well-meaning love, not malice. Gillies excels as the teenager in above her head, bringing a vibrant energy to the role. She’s not just fun, but as she gets to know Ruby more, her transformation is not just elegant but sincere. Hunter’s performance brings a much-needed levity to his part. Potter’s portrayal turns someone easy to hate into a complex look at how love and frustration can co-exist. Donoghue’s performance sells his love for his on-screen child believably while also projecting his confusion over his and his son’s respective futures. Their performances are not just good, but they are the heart and soul of the movie.
“…the ending is perfect.”
But this is Seymour’s show all the way. There’s a reason she’s still such a beloved icon, and the actor does not disappoint here. She never goes so over the top that Ruby becomes a cartoon. The sequence where she cannot find the bathroom allows for pity, not laughter. The way she interacts with the movie theater workers is sweet and delightful. It’s a great performance, upended exclusively by the final few minutes before the credits.
Ruby’s Choice has a few issues that prevent it from being great on all fronts. But most of the plot is interesting, and the ending is perfect. The cast, led by a stunning Jane Seymour, excels and outshines the occasionally wonky writing and voice-over.
"…this is Seymour's show all the way."
