
NOW ON VOD! The horror genre keeps finding new ways to reinvent itself, and one of the freshest—if somewhat unexpected—trends is the rise of “public domain horror”: filmmakers taking once-beloved childhood characters now free of copyright and twisting them into terrifying figures. Andrea M. Catinella’s Piglet is a strong entry in this growing movement, joining ranks with the likes of Winnie the Pooh: Blood and Honey and Popeye the Slayer Man. What could be a simple gimmick instead becomes a surprisingly atmospheric and effective slasher film that blends nostalgia with genuine horror.
Piglet follows a group of friends headed into the woods to celebrate Kate’s (Lauren Staerck) 21st birthday. Their joyful outing quickly turns nightmarish when they encounter a brutal, monstrous killer known only as Piglet—portrayed by Alexander Butler, whose physicality and subtle menace give the character a weight beyond a typical slasher villain. The human-pig hybrid is grotesque yet oddly sympathetic, a disturbed figure shaped by a dark past. As the survivors struggle, the film slowly unveils Piglet’s origins, intertwining horror with a deeper emotional core.
Catinella’s direction is confident and deliberate. He uses the isolated forest setting to maximum effect, transforming a natural landscape into a claustrophobic prison where danger lurks in every shadow. The cinematography creates a chilling atmosphere that builds tension steadily, avoiding cheap jump scares in favor of sustained dread. The pacing allows character development without losing the momentum that horror fans crave.

Before the horror begins, a tender moment between friends turns intimate in Andrea M. Catinella’s Piglet
“…a brutal, monstrous killer known only as Piglet…”
The cast holds up their end well. Staerck’s Kate is the emotional anchor of the story, a survivor haunted by secrets that surface as the film progresses. Supporting performances from Alina Desmond, Shayli Reagan, and Valery Danko provide authentic chemistry and raise the stakes as the group is whittled down. Alexander Butler’s Piglet steals the show, blending physical intimidation with a hint of tragic humanity.
One of Piglet’s strongest points is its practical effects and makeup. The creature design avoids the overuse of CGI common in today’s horror, lending the film a tactile, visceral quality. The gore and kills feel inventive and brutal, paying homage to classic slasher films while injecting a fresh creativity that horror fans will appreciate.
Compared to other “public domain horror” films, Piglet distinguishes itself through its focus on story and character depth rather than relying solely on the novelty of twisted nostalgia. Films like Winnie the Pooh: Blood and Honey and Popeye the Slayer Man often lean heavily on shock value and the jarring contrast between childhood innocence and graphic violence. While those elements are present here, Catinella’s film balances them with emotional resonance and thematic weight, exploring trauma, identity, and survival.
Piglet proves that the “public domain horror” sub-genre has potential beyond mere gimmicks. By combining atmospheric direction, compelling performances, and solid practical effects, it elevates a familiar character into something genuinely unsettling and memorable. Fans of this niche trend and slasher aficionados alike will find much to admire here.

"…fans of this niche trend and slasher aficionados alike will find much to admire here."