Copa 181 Image

Copa 181

By Bradley Gibson | January 21, 2020

A gay bathhouse in Rio De Janeiro is the stage for the gentle human drama of Copa 181. That’s the address men go to for anonymous sex, a stage show, a drink, or just to hang out with similarly disposed individuals. 

“…the couple finds out about parts of each other’s lives they’d been unaware of.”

Elsewhere in Rio, we meet a married couple, Tana (Carlos Takeshi) and Eros (Simone Mazzer). He runs a small street-front shop. She’s an opera singer struggling to stay engaged in her art.  They have a good relationship, but Eros does not know that Tana spends his afternoons at the bathhouse. When she is asked to fill in singing at the Copa, and Tana does not know she’s coming, her surprise appearance sets up a clash as the couple finds out about parts of each other’s lives they’d been unaware of. 

Leo (Caetano O’Mailhlan), one of the male escorts employed by the sauna, maintains he is straight because he’ll only top the customers: he’s gay for pay. His affection for Kika, a transgender performer, however, belies this assertion. Kika is drawn to Leo, but suffers in their interactions as a result of Leo’s anger and conflicted feelings about who he is. Leo has even been violent with her.  Kika yearns for Leo, despite his callous treatment. 

Copa 181 (2017)

Directed and Written: Dannon Lacerda

Starring: Silvero Pereira, Simone Mazzer, Carlos Takeshi, Caetano O’Mailhlan, etc.

Movie score: 7/10

Copa 181 Image

"…a window into a part of queer culture that still thrives in the city."

Leave a Reply to Dannon Lacerda Cancel reply

Your email address will not be published. Required fields are marked *

  1. Dannon Lacerda says:

    I was very happy with this article, because I made a film without budget or sponsorship, only with my resources, but with the strong desire to tell a human story, simple, loving, as well as so many that happen in gay saunas in the world and that deserve the our affection and respect. Fortunately, the film was well accepted by festivals and the public, and that is exactly what every filmmaker wants … to get to hearts. Thanks.

Join our Film Threat Newsletter

Newsletter Icon