In the opening of 10×10, Lewis (Luke Evans) is sitting in a diner, watching intently across the street. He is fixated on an unknown redhead and glaring at her like a predator stalking his prey. His motive isn’t entirely clear in the film’s opening beats. Is he investigating her or is he up to something more nefarious?
He follows her to the parking lot of her gym, where we quickly find out the answer to the question is the latter. He sneaks up on her, puts a plastic bag over her head and brings her to the ground. He tapes her mouth shut and arms and legs together, then leaves quickly to bring his car over to load her in. For those who have seen their share of abduction movies, this might seem ridiculous. How can nobody have noticed this was happening?
“…being held captive in a soundproof room…behind one of his walls.”
Lewis brings the woman, who identifies herself as Cathy (Kelly Reilly), back to his house. She is being held captive in a soundproof room that Lewis has built behind one of his walls. It is a meticulously crafted dungeon, which suggests a bit more thought went into this kidnapping then Lewis showed in the gym parking lot. His house is spacious but cold – a chilly, modern complex without much character. But why has Cathy been taken here?
On the surface, 10×10 is a relatively basic abduction thriller but tightly wound at a scant 88 minutes. Director Suzi Ewing’s feature debut has fun with genre trappings and adds a bit of flavor and mystery to the outing. Though clues are given throughout, she keeps us in the dark for the majority of the runtime, which adds suspense to an otherwise familiar outing. As tension builds between Lewis and Cathy, it translates to our experience watching the film.
“…not necessarily reinvents the wheel but offers a variation on it.“
Evans and Reilly serve the film well, playing their respective types in the machine of the story. Evans is gruff and threatening, while Reilly is confused and scared as his victim. Without going too deep, because you really should check out this fun little film, they are given a little room to flex within third act revelations.
Nothing in 10×10 necessarily reinvents the wheel but offers a variation on it. For a debut, 10×10 deserves to serve as an audition for Ewing’s future bigger scale projects.
10×10 (2018) Directed by Suzi Ewing. Written by Noel Clarke. Starring Luke Evans, Kelly Reilly.