Movie-watching can be an enriching communal experience, but some films are better enjoyed solo according to the database of best online casino NZ. Contemplative dramedies, slow-burning thrillers, dialogue-free dramas – certain films are best absorbed all by yourself, with zero distractions.
All Is Lost
Robert Redford’s ability to grip audiences with a compelling performance has never waned throughout his long career. That gift is particularly evident in J.C. Chandor ‘All Is Lost’, an acclaimed 2013 drama in which Redford’s unnamed sailor endures a litany of increasingly life-threatening mishaps during a solo ocean voyage. Watching this film alone is a transformative experience. There’s only one character and he hardly ever speaks, which makes sounds that ordinarily might not be noticed all the more intriguing. With most of the sound coming from the main character shuffling around, what would normally be an ordinary background? Detail becomes a key factor in the film’s immersion. Every detail in All Is Lost requires your full attention.
Alfonso Cuarón’s hit 2013 space drama ‘Gravity’ is a film that filled theaters for weeks – but In order to truly exert its devastating impact, it needs to be seen alone. For one, the filmmakers do an excellent job of projecting panic onto the audience after Sandra Bullock’s character is marooned in space. Fear is alleviated somewhat in a group setting, so truly putting yourself in her position requires watching the film alone. Whether or not there’s sound in space is up for debate, but Cuarón’s command of ‘Gravity’s’ soundtrack is the second reason you should watch it by yourself – and with the volume highю It’s the type of film in which the intensity continuously builds, amplified by the skillful use of sound. Even the crescendo in the score allows audiences to feel the emotional weight of Bullock’s character’s struggle to reach Earth – and survive. It’s a thrillride best experienced alone, with nothing to distract you (except best free pokies online).
Into the Wild
Based on the novel of the same name by Jon Krakauer, ‘Into the Wild’ tells the true story of Christopher McCandless, a recent college grad who braved the Alaskan wilderness in the early ‘90s and sadly passed away a few months into his trek. ‘Into the Wild’s’ judgment-free dramatization of McCandless’ doomed pilgrimage offers a perfectly introspective example of a movie that makes the viewer think about what they would do in a similar situation. Who knows, maybe you’ll be inspired to abandon materialism and go on a solo adventure of your own in the Alaskan wilderness. It’s an incredibly dangerous proposition, but you wouldn’t be the first.
Darren Aronofsky filmography is studded with Biblical symbolism, and ‘The Fountain’, starring Hugh Jackman and Rachel Weisz as star-crossed lovers, offers a particularly absorbing example. The film is a visual spectacle, to say the least, but its three storylines are just as finely crafted – and easy to lose track of if you aren’t paying close attention. Lose concentration and you could easily miss details crucial to grasping the story as a whole. ‘The Fountain’ is an exceptionally emotional story, but watching it unfold with a group of friends might very well take you out of the moment
The Assassination of Jesse James by the Coward Robert Ford
It may be slow at times – okay, most of the time – but this dramatization of the titular infamous killing never stops building in intensity, due in large part to the stylized directing style of Andrew Dominik and the masterful eye of cinematographer Roger Deakins. The train robbery scene, in particular, is an excellent example of just how hypnotic cinematography can be. Do yourself a favor and tune out chatter during a masterpiece like ‘The Assassination of Jesse James’ by the Coward Robert Ford.
Lost in Translation
Featuring one of Bill Murray’s greatest performances, along with exceptional work from Scarlett Johansson, ‘Lost in Translation’, earned Sofia Coppola the third Best Director nomination offered to a woman in Oscars history. It isn’t that taking in ‘Lost in Translation’ with a crowd will make you lose sight of the story – there isn’t much of a plot – but the self-reflection the movie motivates stands to be lost in a group. Like Johansson’s character learns in that unforgettable final scene, there are some secrets you only learn, in opinion of online casinos slots expert reviews, when you’re leaning in close enough to hear a whisper.
The Wind Rises
Legendary Japanese filmmaker Hayao Miyazaki has done more for animation than many casual filmgoers might realize. His movies may not be as well-known to the general public as Disney’s library of hits, but from ‘The Castle of Cagliostro’ to ‘The Wind Rises’, Miyazaki and his Studio Ghibli have expanded the animation genre to make room for sophisticated storytelling and exceptionally beautiful visuals. They aren’t event movies, though, and they aren’t made for watching with a group of friends. Tackling thought-provoking themes in their own distinctive style, Miyazaki movies demand the type of emotional room you can only get solo.
No Country for Old Men
Based on the Cormac McCarthy novel of the same name, this modern Western thriller won Best Picture and Best Director at the Oscars. It’s considered one of the greatest films of the century, as well as the Coen brothers’ masterpiece…And, that’s saying something. If you’re unfamiliar with the form, Westerns can be slow, punctuated with intermittent bursts of heightened action, and No Country for Old Men is a prime example. The tension, suspense, and thrills never stop building, yet the film as a whole is eerily quiet. If you’re forced to deal with distractions during the movie, you’ll be taken right out of the story – breaking its spell and ruining the experience altogether.