I caught up with Mercer to discuss his score for Dimitri Kirsanoff’s eery silent film, “Ménilmontant” (1926) in the brief interview that follows. Kirsanoff’s grisly murder-thriller is unique in that there are no intertitles—an ideal backdrop for Mercer’s potent score…
PHANTOM VIOLIN: AN INTERVIEW WITH PAUL MERCER
By | August 2010