Interviews

THROUGH A GLASS BRIGHTLY: VIDEO ARTS LEGEND DARA BIRNBAUM

By | June 2011

Film Threat caught up with Birnbaum at her New York studio to discuss her work and her views of contemporary video arts and experimental filmmaking…

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THROUGH A GLASS BRIGHTLY: VIDEO ARTS LEGEND DARA BIRNBAUM

In the realm of the visual arts, there is no one quite like Dara Birnbaum. Beginning in the 1970s, Birnbaum has used video productions and multimedia...

DARK HORSE: INTERVIEW WITH CINDY MEEHL AND BUCK BRANNAMAN

There’s absolutely no way on God’s green-pastured, stallion-roaming earth you could POSSIBLY convince me that “Buck” would bring me to tears. I...

JAY MILES LEADS THE CONQUEST OF YOUTUBE

It often seems that everyone has a video on YouTube. But not everyone has a good video on YouTube. And even if you have a good video on YouTube, there is...

SPINDRIFT: CLASSIC SOUNDTRACKS VOL. 1

Living up to everything that the concept of neo-psychedelica promises, Spindrift composes fictional soundtracks in search of imaginary films. Think...

TO HELLMAN AND BACK ON THE “ROAD TO NOWHERE”

Monte Hellman hardly merits an introduction. My words cannot do him justice. No aspiring director should be allowed to pick up a movie camera without...

“SCRAPPER”: A CHAT WITH FILMMAKER STEPHAN WASSMANN

The desert can be a scary place. If you heard of Indio, California, the name probably brings to mind Coachella and its teeming crowds of X’d out music...

AND NOW WITHOUT “CEREMONY”: AN INTERVIEW WITH FILMMAKER MAX WINKLER

“Ceremony” may be Max Winkler’s debut into feature filmmaking, but as this highly provocative narrative indicates, Winkler is no stranger to the...

BASTARD SON OF A PRODIGAL SON: INTERVIEW ON “THE COMPLETE HISTORY OF THE R

We film buffs are lucky that our passion is a mere remote click away, not lost in history like the originals of other performing arts. With so much...

GORE-GEOUS: INTERVIEW WITH “I SAW THE DEVIL” DIRECTOR KIM JEE-WOON

“I Saw the Devil” is a truly disturbing piece of celluloid. Truly. Disturbing. In double-boldface capital letters. A little raw? Rough to the touch?...

THE SUNDANCE KID IS BACK: INTERVIEW WITH FILMMAKER ARI GOLD

No... this isn’t an article about Robert Redford having a comeback. That guy doesn’t need a comeback. It’s about the films that played at Sundance...

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