Interviews

TODD VEROW: ONCE AND FUTURE KING OF DV (part 4)

By | January 2001

Boston filmmaker Todd Verow is always in the midst of production, or post, or pre-production, or usually all three at once with films like A Sudden Loss of Gravity and The Trouble with Perpetual Déjà vu. He’s shot 12 features on DV since his big splash on the fest circuit with “Frisk” in 1996…

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TODD VEROW: ONCE AND FUTURE KING OF DV (part 4)

Has there been a big change in you over this time. I notice the consistency in your mode is the big theme, but in this new one you've got more of a...

TODD VEROW: ONCE AND FUTURE KING OF DV (part 5)

Do you see a curve or a trajectory of this DV revolution and where it ends? When you'd be satisfied, whether or not it's actually gonna happen, can you...

GILMORE AND GORE: THE ONGOING CONVERSATION

Geoff Gilmore came to Sundance in 1989 and has been instrumental in the festival's emergence as the number one market for independent films in the United...

WILLIAM GAZECKI UNDER FIRE (part 2)

What led you to make a film about WACO? ^ A typical fluke. Somebody showed up on my doorstep with demo in hand and pitched me on whether I'd want to do...

WILLIAM GAZECKI UNDER FIRE (part 3)

Now that the film has been released, has anything changed with regard to the ATF or the media in terms of how they view this event? ^ I think a lot has...

WILLIAM GAZECKI UNDER FIRE (part 4)

What was the budget and how long did it take you to make it? ^ The budget was about $450,000 and it took a year and a half to make. How did you raise...

GUS VAN SANT: LAST WORDS ON "LAST DAYS"

Last Days is filmmaker Gus Van Sant’s reflection on the psychological chaos that devours a brilliant but troubled musician in the final hours of his...

LIGEIA

When did you start filmmaking and what did you make? I can’t remember – I know it was a Super 8 thing with no sound, but it was just for my own...

RICHARD GRIFFIN: BRUSHING UP HIS SHAKESPEARE

Putting the plays of William Shakespeare on film always presented something of a challenge. In the nascent days of the silent movies, American filmmakers...

THE REAL SPIDER-MAN: DAN POOLE INTERVIEW (part 2)

[ PART II: WHY MAKE YOUR OWN SPIDER-MAN MOVIE? ] [ $400 bucks! That's insane! So, you wrote, directed, starred as Peter Parker/Spider-Man in your own...

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