The 2nd Annual Cinema Eye Honors for Nonfiction Filmmaking will be held in March 2009 in New York City, it was announced here today by Cinema Eye co-chair AJ Schnack at a reception at the AFI Silverdocs Film Festival. Indiepix, the internet based distributor of independent film, will return as partnering sponsor for the awards through 2010 and will once again produce the award ceremony. Thom Powers, Documentary Programmer for the Toronto Interntational Film Festival, and Schnack, a filmmaker (KURT COBAIN ABOUT A SON) and author of the popular nonfiction website All these wonderful things, return as award co-chairs.
“Thom Powers and I are extraordinarily pleased to be partnering once more with Indiepix in presenting the Cinema Eye Honors,” Schnack said Friday. Indiepix Documentary Coordinator Danielle DiGiacomo added, “Indiepix is thrilled to build upon the amazing success of the first Cinema Eye Honors and are proud to announce our commitment to the Cinema Eye Honors through the first three years of its existence. We look forward to working with Thom and AJ for the next two years.”
It was also announced Friday that the 2009 Cinema Eye Honors will add a new award for Outstanding Composing for a Nonfiction Film. Nominations for the 2009 Cinema Eye Honors will be announced in Park City, Utah during the 2009 Sundance Film Festival.
In an effort to broaden the eligibility criteria for the 2009 awards to include more films from outside of North America, Powers and Schnack have added IDFA, the influential Amsterdam documentary festival, and Cannes to the list of qualifying festivals. In addition, they have added four new festival programmers to the Cinema Eye Nominating Committee – Ally Derks of IDFA, Heather Croall from Sheffield DocFest, Maxyne Franklin of BritDoc and Meira Blaustein from Woodstock Film Festival. Also joining the nominating committee for 2009 is SXSW Film Festival producer Janet Pierson.
Returning to the nominating committee for 2009 are a cross section of the top documentary festival programmers in North America – Phoebe Brush of Full Frame, Sean Farnel of Hot Docs, Tom Hall of Sarasota Film Festival, David Kwok of Tribeca, Cara Mertes of the Sundance Documentary Film Program, David Nugent of Hamptons Film Festival, Rachel Rosen of the Los Angeles Film Festival, Sky Sitney of Silverdocs, David WIlson of True/False and Brit Withey of Denver Film Festival.
To date, more than 75 feature films have qualified for eligibility for the 2009 awards – a number that matches the total number of eligible films for 2008, including 25 films that are currently screening at Silverdocs:
AMERICAN TEEN
THE BETRAYAL (NERAKHOON)
BULLETPROOF SALESMAN
CORRIDOR #8
DEAR ZACHARY: A LETTER TO A SON ABOUT HIS FATHER
ENCOUNTERS AT THE END OF THE WORLD
THE ENGLISH SURGEON
FORBIDDEN LIES
GONZO: THE LIFE AND WORK OF DR. HUNTER S. THOMPSON
THE INFINITE BORDER
KICKING IT
LIFE. SUPPORT. MUSIC.
LUCIO
MAN ON WIRE
MECHANICAL LOVE
MILOSEVIC ON TRIAL
MY MOTHER’S GARDEN
MY WINNIPEG
THE ORDER OF MYTHS
SONG SUNG BLUE
STRANDED, I’VE COME FROM A PLANE THAT CRASHED IN THE MOUNTAINS
THROW DOWN YOUR HEART
TRIAGE: DR. JAMS ORBINSKI’S HUMANITARIAN DILEMMA
TROUBLE THE WATER
UP THE YANGTZE
The inaugural Cinema Eye Honors were held March 17, 2008 at the IFC Center in New York City. Top honors for Outstanding Feature went to Jason Kohn’s MANDA BALA (SEND A BULLET), which also received Cinema Eye Honors for editing and cinematography. Alex Gibney won the directing prize for TAXI TO THE DARK SIDE. Additional awards went to GHOSTS OF CITE SOLEIL, THE MONASTERY – MR VIG AND THE NUN, BILLY THE KID, CHICAGO 10 and THE KING OF KONG (A FISTFUL OF QUARTERS).
Full list of currently eligible titles for 2009:
AMERICA THE BEAUTIFUL
AMERICAN TEEN
ANVIL! THE STORY OF ANVIL
AT THE DEATH HOUSE DOOR
BE LIKE OTHERS
THE BETRAYAL (NERAKHOON)
BIGGER, STRONGER, FASTER*
THE BLACK LIST
BLOODLINE
BODY OF WAR
BRA BOYS
BULLETPROOF SALESMAN
THE BUSINESS OF BEING BORN
CONSTANTINE’S SWORD
CORRIDOR #8
DEAR ZACHARY: A LETTER TO A SON ABOUT HIS FATHER
THE DHAMMA BROTHERS
DINNER WITH THE PRESIDENT: A NATION’S JOURNEY
ENCOUNTERS AT THE END OF THE WORLD
THE ENGLISH SURGEON
EXPELLED: NO INTELLIGENCE ALLOWED
FIGHTING FOR LIFE
THE FIRST SATURDAY IN MAY
FLOW: FOR LOVE OF WATER
FLYING ON ONE ENGINE
FORBIDDEN LIES
FULL BATTLE RATTLE
THE GATES
GIRLS ROCK!
GLASS: A PORTRAIT OF PHILIP IN TWELVE PARTS
GONZO: THE LIFE AND WORK OF DR. HUNTER S. THOMPSON
HATS OFF
HER NAME IS SABINE
HOLD ME TIGHT, LET ME GO
IMAGINARY WITNESS: HOLLYWOOD AND THE HOLOCAUST
THE INFINITE BORDER
A JIHAD FOR LOVE
JOY DIVISION
KICKING IT
LIFE. SUPPORT. MUSIC.
LOU REED’S BERLIN
LUCIO
MAN ON WIRE
MECHANICAL LOVE
MILOSEVIC ON TRIAL
THE MOSQUITO PROBLEM (AND OTHER STORIES)
MY MOTHER’S GARDEN
MY WINNIPEG
THE ORDER OF MYTHS
PARADISE
PARADISE – THREE JOURNEYS IN THIS WORLD
PLANET B-BOY
PRAYING WITH LIOR
A PROMISE TO THE DEAD: THE EXILE JOURNEY OF ARIEL DORFMAN
REFUSENIK
ROMAN POLANSKI: WANTED AND DESIRED
SECRECY
SHINE A LIGHT
SHOOT DOWN
THE SINGING REVOLUTION
SONG SUNG BLUE
STANDARD OPERATING PROCEDUE
STRANDED, I’VE COME FROM A PLANE THAT CRASHED IN THE MOUNTAINS
SURFWISE
STEEP
TEHRAN HAS NO MORE POMEGRANATES!
THROW DOWN YOUR HEART
TRIAGE: DR. JAMES ORBINSKI’S HUMANITARIAN DILEMMA
TROUBLE THE WATER
TRYING TO GET GOOD: THE JAZZ ODYSSEY OF JACK SHELDON
U23D
UP THE YANGTZE
VINCE VAUGHN’S WILD WEST COMEDY SHOW: 30 DAYS & 30 NIGHTS – FROM HOLLYWOOD TO THE HEARTLAND
WAITING FOR HOCKNEY
WHERE IN THE WORLD IS OSAMA BIN LADEN?
WILD BLUE YONDER
YIDDISH THEATER: A LOVE STORY
YOUNG@HEART
