Transformers One

Plotwise, the picture works best after the reveal. The Quintessons are an alien race with whom the Transformers had a war. How they are used and what they are still doing on Cybertron ups the stakes tangibly. The inclusion of the High Guard rounds out the surface dwellers in a genuinely compelling and natural way. While the base setup is not exactly the most original, the way it is handled is more nuanced and more intelligent than expected. Beyond that, the themes of faith, optimism, destiny, and friendship are explored with more clarity and understanding than in some so-called more mature fare such as the poorly thought-out Uglies. As it stands, this is the best and most resonant of all robots punching other robots movies to date.

Transformers One is a visual feast. The vibrant and lively rendering of Iacon, the colorful and action-packed Iacon 5000, and the awe-inspiring first glimpse of the surface all contribute to a visually stimulating experience. The animation is so well-crafted that even with a large number of racers, the action remains easy to follow, enhancing the audience’s engagement.

“…a visual feast.”

Hemsworth is great as the to-be Optimus Prime. He’s funny, hopeful, and easily likable. Henry makes the to-be Megatron shockingly sweet, reinforcing the starkness of the inevitable villain turn. Johansson keeps the proceedings grounded while still having fun. Hamm is excellent as the protector and lore keeper of Cybertron with a secret. Steve Buscemi plays the leader of the High Guard and nails Starscream’s domineering yet nasal way of speaking.

Transformers One is the best this decades-old franchise has ever been on the big screen. It’s exciting, bold, thematically deep, and extraordinarily animated. This is one of the best animated films of the year and is pure escapism fun without being mindless or juvenile. Fans of the franchise will be pleased, while families can rest assured that this film is not only suitable but also engaging for all members.