The story structure is where The Scarehouse comes into play. In flashing back to what happened with Collette and seeing the repercussions happening now, this motion picture recalls that brilliant (and not known enough) indie gem. This includes the way several twists are revealed and how they change the reading of certain narrative moments. But that’s not a bad thing since it generates a lot of intrigue and gives the film high rewatchabilty.
The cast of #AMFAD: All My Friends Are Dead is truly exceptional. Pettyjohn’s performance is not just likable but also effectively sells the horror elements. Derickson’s impeccable comedic timing and dramatic skills are a treat to watch. Haig’s portrayal is both appealing and smarmy, striking a perfect balance. Siwa’s limited role is memorable, and Russell’s portrayal of the helpful cop is almost scene-stealing. Ens, in her role as the narcissistic center of attention, manages to be both vile and charismatic, effectively selling the horror and comedy aspects of the film.
“…brutal and fun.”
Finally, the kills are brutal and fun. The friends are taken out in a variety of brutally creative ways. While a few of the murders are reminiscent of the Saw franchise, the movie etches out its own territory by utilizing social media to perpetuate the deaths. This ties into the characters and the aesthetic and themes in a very cool way, highlighting the influence and dangers of social media in our lives. But again, no spoilers, so that’ll be all that’s said there.
#AMFAD: All My Friends Are Dead is a well-crafted horror comedy that provides a thoroughly enjoyable viewing experience. The cast brings their smartly written characters to life, adding depth and dimension to the story. While the plot may be somewhat predictable, the way the twists are revealed keeps the audience engaged and entertained. The balance of horror and comedy is expertly maintained, adding to the overall entertainment value of the film. The use of social media and influencers not only adds to the narrative but also enhances the message that Dunstan, Sims, and Flaum are trying to convey.
"…like Bodies Bodies Bodies meets The Scarehouse."
