0:03
you did see locked did see it okay well
0:06
i like this director david yarav
0:09
yuravvesi who did breitburn locked of
0:12
course stars and and by the way uh sam
0:15
ramy was one of the producers on this
0:18
film it's a tight thriller tight
0:21
thriller um basically the bill scarsgard
0:25
who plays eddie beerish is the star
0:28
anthony hopkins plays well for most of
0:31
the movie a disembodied voice of a
0:34
character named william
0:37
uh bill scarsgar's eddie has a a
0:40
daughter he's estranged from his wife he
0:43
is a small town thief small-time thief
0:47
who happens upon a very expensive
0:50
looking car that he breaks into and then
0:53
is trapped in for most of the movie the
0:56
whole rest of the % of the movie 80% of
0:59
the movie now it's very claustrophobic
1:02
and you would think this makes the movie
1:04
it sort of brings it down small it is an
1:08
amazing thriller that without giving
1:11
things away escalates the stakes in
1:14
every way it goes and anthony hopkins as
1:17
the character of william has had enough
1:20
there was a tragedy involving his
1:22
daughter he's tired of his expensive car
1:26
being broken into and he sets a
1:29
trap in which eddie is now in the car
1:32
being electrocuted tortured with pa
1:38
grandfather used to play the
1:41
pa so no hate on pa music my grandfather
1:45
he had a pula he played the poker he had
1:48
the he had the whole thing and your dad
1:51
was a barberhop quartet cigar my dad was
1:53
in a barber shop that's your musical
1:55
heritage i come from a musical family in
1:57
which i have no musical talent
1:59
whatsoever anyways um eddie is uh i mean
2:03
i really like bill scarsgard he's very
2:05
different in each of his roles the crow
2:09
great he was not great in the crow but
2:12
he was really good in barbarian recent
2:15
uh horror film yeah bill kills world
2:18
which was also directed by sam uh
2:20
produced by sam ramy yeah now this you
2:22
would think oh it's going to be
2:24
claustrophobic it's going to drag the
2:26
stakes get raised as it goes um uh his
2:32
daughter her life is at stake william
2:36
doesn't care it becomes
2:39
actually it it becomes this whole
2:42
philosophical discussion about where
2:45
morality comes from right and wrong
2:48
stealing is there any instance in which
2:52
right so they end up having these these
2:56
discussions as as uh william continues
3:00
to torture eddie in the car and from a
3:04
the way it's filmed so eddie's in the
3:07
car but the camera moves in a like 360
3:11
degree that i i i'm sure there was
3:13
digital enhancement whatever i don't
3:16
know how they did it it's really i can
3:19
tell you it was done in the volume it
3:20
was done in the volume i'm sure but holy
3:24
it this does not look like a volume
3:26
movie it does not look like a volume
3:29
movie because and then there's also some
3:32
high-speed chase and shenanigans with
3:36
the car that continue to up the stakes
3:38
again no spoilers on this but this
3:42
really surprised me it's a tight 95
3:46
minutes uh uh thriller and it delivers
3:49
in the end i i really enjoyed it and did
3:52
not expect to but that the fact that
3:54
david did uh breitburn which i really
3:57
loved when when film threat was an audio
3:59
only uh podcast um i did interview david
4:03
for that movie but uh i thoroughly
4:07
enjoyed it and would recommend it
4:09
probably a solid seven seven and a half
4:12
even uh for this allan what did you
4:14
think yeah i i agree with you uh it's
4:17
it's an interesting um interesting
4:20
thriller because it does take place in
4:22
that confined space um i think i'm
4:25
saying it was shot in the volume because
4:27
i i think that's the only way you can
4:28
get those camera angles and when we saw
4:31
the movie daddyo which also takes place
4:32
in a car they talked about you know the
4:34
car is uh was constructed in a way that
4:37
you could get a camera in and out and
4:39
and get the backgrounds going and and so
4:41
that's why i'm saying that and and these
4:43
are things i find interesting because i
4:45
think when i watch movies i think a lot
4:47
about how was it made how did they pull
4:48
off this shot and that's one thing that
4:50
really uh surprised me about this movie
4:53
um you know the other thing is it's a
4:56
small movie uh and i say that because it
4:59
does take place in the car for 80% of
5:02
the time he's stuck there and so you
5:05
know the the world is very small uh in
5:08
in this film which i liked um and then
5:12
lastly the last point i wanted to make
5:15
was oh yeah it does one of these tropes
5:17
that i that i hate right off the front
5:20
you know eddie comes out he's this tough
5:22
guy he's in trouble he he makes uh you
5:25
know he he causes trouble with the guy
5:26
who's fixing his car and then his phone
5:29
rings and there's a cute picture of his
5:30
daughter and now it's like oh my god
5:33
okay so instantly we have the com the
5:36
reason to feel compassion for eddie um
5:39
it works in the film but i'm saying that
5:41
this is becoming an annoying trope
5:43
because every time you have the
5:45
protagonist phone ring and there's a
5:47
cute child on it now you know children
5:50
are going to be in danger
5:52
thing to play out uh but overall i did
5:55
enjoy the film it's it's a tight small
5:58
thriller like you say um because
6:01
thrillers in my mind tend to be in large
6:03
worlds uh in this case it's a very
6:05
compacted world and they use that eddie
6:08
uses the car has to understand the car
6:10
to f to figure out a way to get out of
6:12
it and that's the kind of thrills that
6:14
you have in this this movie well i
6:17
recommend it uh maybe your number rating
6:19
is not as high as mine but um i
6:21
recommend it it was a surprise yep what
6:24
do you think i'll give it a solid seven
6:26
yeah definitely cool it delivers on what
6:29
it promises definitely and and actually
6:32
is better than the trailer
