FRAMES

It is at those moments of camera-stalls that Colvin’s well meaning narrative-objectives become complicated, as his lens focuses at overly long intervals upon virtually every physical structure and character in the movie—and we’re not sure why. Still, even these seemingly horrific cinematic defects, magically, cannot spoil Colvin’s movie, which is so rich in suspense, character and ambiguity, that we are compelled to take notice, no matter how hard we protest…