The movie’s a compilation of lifeless sequences in which the painter dashes off masterpieces amid picture perfect surroundings. We learn nothing about his life or oeuvre and anyone seeking psychological insight must make do with fromage such as “You can’t explain a painting-you have to feel it.” The filmmaker offers a portrait of the artist as an old fart because he’s chosen to portray him during the least dynamic phase of his life…
RENOIR
By | May 2013