Features

The American Nightmare: How U.S. Cinema Perfected Modern Horror

By Film Threat Staff | October 2025

No other film genre has traced the emotional map of a nation quite like horror. Since the early 20th century, American cinema…

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The American Nightmare: How U.S. Cinema Perfected Modern Horror image — The American Nightmare: How U.S. Cinema Perfected Modern Horror
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No other film genre has traced the emotional map of a nation quite like horror. Since the early 20th century, American cinema has used fear to probe the...

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Learn how to market your rental property like a blockbuster hit. Discover strategies to attract tenants, boost value, and make your property the star of...

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TORONTO INTERNATIONAL FILM FESTIVAL 2025 REVIEW! Nouvelle Vague, the latest and perhaps greatest feature from Richard Linklater, tells the story of the...

The Movie-to-Game Pipeline: How Hollywood Inspires Digital Adventures image — The Movie-to-Game Pipeline: How Hollywood Inspires Digital Adventures
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Movies have always been about creating magic on the big screen, pulling people into stories filled with drama, action, and emotion. Over the years, this...

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The entertainment industry adapts and responds to multiple media forms at once. The convergence of streaming and gaming platforms influence the latest...

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Unleash your Pusoy potential on GameZone! Master five expert strategies to dominate opponents, outthink rivals, and level up your gameplay instantly. If...

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I think that most reasonable people have had enough of the pearl-clutching, the sanctimonious purists, and the terrified gatekeepers pretending they’re...

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When Hollywood unveiled Tilly Norwood in late 2025, reactions ranged from excitement to horror. She’s not a human actor - she’s a fully AI-generated...

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In 2012, after years of people telling me my screenplays were too wild and expensive, that the unions would never let me make movies for the budgets I knew...

Yakov Nazarov: A Portrait of Time image — Yakov Nazarov: A Portrait of Time
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“Every portrait is not only about the person in front of me,” says Yakov Nazarov. “It is also about time, and about us.” For Nazarov, now in his...

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