There’s a sickly green light at the end of the graffiti-covered tunnel in writer/director Alex Klaus’ transcendental feature debut, The Lost. Hayley (Hollie…
The Lost
By Michael Talbot-Haynes | May 2022
Henry McGrath
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Henry McGrath
By Michael Talbot-Haynes | May 2022
There’s a sickly green light at the end of the graffiti-covered tunnel in writer/director Alex Klaus’ transcendental feature debut, The Lost. Hayley (Hollie…