0:03
Alan tell me about the room next door
0:05
the room next door is the film by Pedro
0:08
amadar I believe I just mispronounced
0:10
that um it's a story starring uh
0:16
starring Tilda Swinton and Julianne
0:17
Moore they are best friends from long
0:20
ago they worked at the same newspaper uh
0:22
they have become somewhat a stranged
0:24
after uh after B basically dating the
0:26
same guy uh Tilda Swinton is a War
0:30
reporter no is a yeah is a war reporter
0:33
while Julian Moore is more about
0:35
lifestyle type stuff um but they at this
0:37
late age they come back together as
0:39
friends uh because uh Tilda who plays
0:42
Martha Martha has some news uh she has
0:46
cervical cancer and she is dying uh and
0:50
and the reason she needs to bring uh
0:52
ingred here played by Julian more is
0:54
that uh Martha wants to commit suicide
0:58
she wants to euthanize herself uh and so
1:02
what they've decided to do uh what she's
1:04
begging uh ingred to do is to go to uh
1:08
her Mountain Home her Mountain Home and
1:11
uh just hang out there for a couple days
1:13
and one night without her knowing um uh
1:16
Martha is going to take the the life
1:19
ending medication and uh and ingred will
1:22
wake up one day and find her dead uh so
1:25
this is a youth in Asia movie um and
1:28
it's it's important that uh that Martha
1:32
that ingred be there because uh Martha
1:35
wants ingred to stay where
1:38
Chris in the room next door oh no hence
1:43
the title why didn't I figure that out
1:46
yeah and so this uh this movie is really
1:48
about Youth and age about two friends
1:50
and the the the struggle and the all the
1:53
issues dealing around the subject um
1:56
this is very interesting Pedro amadar I
2:01
funny story I went to the uh Academy
2:03
museum with my daughter there is a
2:05
exhibit there uh of Pedro amadar we walk
2:08
up and there's a giant screen of
2:10
panelope Cruz's left breast up there and
2:14
um this is kind of my knowledge of Alma
2:16
dovar this is really the first movie I
2:18
sat down and watched um his he brings a
2:22
very distinct style to the story uh the
2:25
the play the the movie uh the dialogue
2:28
it plays out like as if it were a play
2:31
where it just feels like that the um
2:34
that the actors are more about the
2:35
delivery of lines than they are about
2:37
acting uh so the dialogue just feels
2:40
very weird it it feels like a soap opera
2:43
uh there's a mo JN tuturo is in it and
2:46
there's a whole discussion that of you
2:49
know because he's this uh really radical
2:52
environmentalist and I think the reason
2:54
that him and Martha broke up is she
2:57
wanted children and he can he couldn't
2:59
handle the fact that someone would want
3:00
to bring children into the world knowing
3:03
that uh it's going to uh waste away
3:06
because of climate change uh the other
3:08
thing is the the colors are very bright
3:11
almost like 60s bright you know the The
3:13
Rock Hudson Doris Day type color palette
3:17
uh very brilliant colors and also
3:20
speaking of the 60s theme it has this
3:23
sweeping uh orchestral soundtrack behind
3:26
it which which I found odd because this
3:29
is a two Pander movie um a lot of the
3:31
time it's just the two actors walking
3:34
through the home uh a wide shot and then
3:36
you have this sweeping soundtrack
3:38
playing behind them and it just tonally
3:40
felt weird and and so I my my criticism
3:44
of the film is this it's uh subject
3:47
matter aside this is feels like an art
3:49
film and it feels like if I'm really to
3:53
if you're really into art films and you
3:55
want to uh be that pretentious art
3:57
critic you'll probably love the movie
4:01
um that that said I can give it a bare
4:05
recommendation I found that the the
4:07
subject matter fascinating to the point
4:09
where I just kind of was interested to
4:11
see how things would ultimately play out
4:14
uh but I found myself often distracted
4:17
by the art of this film uh which is kind
4:19
of you know I it just felt a little too
4:23
pretentious for me well I I really love
4:25
Tilda Swinton how did it's more about
4:27
these actresses performances right yeah
4:33
know I would say that it feels like it's
4:36
a foreign film that stars two American
4:40
actors two two A-list American actors uh
4:44
and that that's kind of how because of
4:46
the foreign films I'm seeing I've seen
4:49
the dialogue and the delivery it feels
4:51
like that and so um you know it it works
4:56
for foreign films I don't know that it
4:57
works with Julianne Moore until this
5:00
Clinton so bear recommend recommend is
5:03
there is there nudity no there isn't
5:06
she's dying of cancer why would there be
5:08
nudity I don't know okay yeah I mean
5:14
would we went through that exhibit and
5:17
there was a lot of nudity in that well a
5:18
mo of our films do have a lot of nudity
5:21
I mean he's a you know foreign director
5:24
they're you know maybe less uptight
5:31
expect that in foreign films yeah I'm
5:32
sure you know his catalog better but is
5:34
this is the first time he's working with
5:36
two well-known uh I'll say English
5:40
actors English speaking actors is is
5:43
that kind of his first time doing this
5:44
or has he done that before I'm not sure
5:46
but um I've always found him interesting
5:49
and worth seeing so I'll take your bare