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VOTE JESUS: THE CHRONICLES OF KEN STEVENSON
by Jessica Baxter
2009, Un-rated, 102 minutes, Studio 7NY
“Vote Jesus” is the anti-“Religulous.” Not because Vermin Supreme, who wears a conservative guise in order to infiltrate the religious right, disagrees with Bill Maher. It’s because his approach to revealing the small-minded, hateful, and downright bizarre beliefs of the so-called Values Voters is much more passive-aggressive. So much so, that it’s difficult to tell what he actually does believe. It’s difficult to trust our narrator and his motives. And that makes for very uneasy viewing.

In a trailer for the film “Vote Jesus,” the filmmakers reveal their plan. Vermin Supreme, a figure who's already some kind of crackpot persona, will pose as a man named Ken Stevenson and run for president of the U.S.A. (To get the idea, think of a circus clown overlaying a Nazi uniform on his outfit.) To garner votes, "Stevenson" will travel through the breadbasket and Bible belt and intimately familiarize himself with the “values” that they hold dear. Once he arrives in Washington during election time, he will repeat these things back to them and hopefully, be the picture-perfect candidate for Red State folk.

It’s an interesting plan. But I’m really not sure what he hoped to accomplish. This was the 2008 election so, SPOILER ALERT, he didn’t win. But, if he somehow had been elected president, would he then have revealed that America got Punk’d? Or would he have run the country as a fake conservative? And just what does the real Vermin Supreme (his legal name, apparently) believe? A Google search reveals that he’s run for office before under a platform to promote dental hygiene and the promise to fund time travel research. It’s surreal performance art, to be sure. But he’s not exactly taking a stand.

As Stevenson travels across the country, he makes stops at places like the Mega-Creationist Conference, homophobic protests, and the Creationist Museum. He listens to their “proof” against evolution. (Hint: It’s the bible. That’s it.) Any evidence for evolution, they claim, was placed there by the Devil. “It’s his greatest deception,” they say. For an “opposing viewpoint,” he also visits with a family of atheists and atheist author Ed Kagin. He tells the former that their problems would all be solved if they just allowed themselves to be saved and calls the latter fat.

When he finally arrives in Washington and announces his candidacy, he’s surprised to find very little support for his platform. In fact, he meets with opposition from a Republican blogger who tells him he should be ashamed of himself for deviating from the two-party system. He can’t get his fellow conservatives to support his alleged values on the record. His “campaign” goes nowhere and he’s effectively shunned. He’s the conservative Ralph Nader.

“Religulous” worked very well because Bill Maher’s mission statement was clear. He does not believe in God or religion. He interviews people from all religions and asks them questions about their beliefs. In doing so, he reveals contradictions in their doctrines. They get mad and refuse to continue the interview or else they somehow think they’ve won the argument. In all likelihood, a viewer’s pre-existing views will be affirmed one way or the other. Those who agree with him will love him more. Those who oppose him will call him a tool of Satan. Ideally, however, some folks will hear Maher’s “Devil’s Advocate” arguments and just maybe he will open some minds.

Ken Stevenson’s approach is to pretend to be one of them. But to what end? In making what one assumes is an anti-propaganda film, he and director Vic David actually kind of make a propaganda film. We already know that members of Westboro Baptist Church are racist, anti-Semitic homo-hating bigots who are closer to White Supremacists than they are to Christians. We already know that there are a frightening amount of Americans who not only deny evolution, but also want to stop teaching it in schools in favor of the idea that man and dinosaurs lived together and the Grand Canyon was created by Noah’s flood. Agreeing with these people, even facetiously, accomplishes nothing and Vermin is the only one who’s in on it. It’s clandestinely subversive. And thus, his project, like his film, just feels like a big waste of time.

Editor's Note: This review originally claimed that Ken Stevenson identifies himself as Vermin Supreme in the film. The filmmakers clarifed that this point is made only in the film's trailer. We think it a moot point, but the filmmakers strongly believe otherwise. Check out the loony letter to Film Threat from Vermin Supreme, and Jessica Baxter's response.

 
 
   
  Vermin Supreme (circa 2004) has run for President before under a platform to promote dental hygiene and the promise to fund time travel research. It’s surreal performance art, to be sure. But he’s not exactly taking a stand.  
suzanne johnson
READER
 
Dear Jessica, When you stated that Vermin Supreme's passive/aggressive stance makes it difficult to tell what he believes in you missed the point. Vermin Supreme's entire premise is to make fun of (by using Satiric humor) How stupid it is for people to beleive in amy campaign promises made. He is demonstrating how th entire system is corrupt, and that most candidates (if they want to get elected) never reveal their beliefs untill they are in office. Most politicians pretend to believe whatever their audience of the moment believes and speak the appropriate language of thier audience. Many speecehes polticians give often contradict each other. Vermin is playing a character to demonstrate how this corrupt system of ours worksand it is wrong to get the character mixed up with Vermin Supreme the person. Vermin is passionate about his work and has created many fans and followers. This is only his first "mockumentary" I am sure there will be more, and I enjoyed it much better the Borat. unlike Borat Vermin does not offend anyone and makes his point using satric huor very well. Sincerely Suzanne Johnson  
Posted on July 29, 2009, 11:00 am
Matthew Sorrento
STAFF WRITER
 
Is it really that hard to understand why a critic would discuss a film actor's -- let's call the Supreme Vermin that for sake of argument -- career for context? I mean, don't we do that all the time? (I've heard the same argument against this approach in emails from both Vermin and the film's director, which makes me think this is a cheap plant.) The fact that Vermin is a cornball who has used gradeschool-level satire -- brash sarcasm that would annoy a teacher but be ignored by everyone else -- is certainly revalent to the argument here. It sounds as if Jessica found more of the same in what she thought to be a hamfisted mocking of a mockumentary.  
Posted on July 30, 2009, 9:25 am
jbaxter
READER
 
Thanks, Matt! Furthermore, if his point is to criticize politicians, isn't Vermin attempting to offend THEM? Evidently, people tend to find criticism of their work very offensive. PS: "Vermin...has created many fans and followers." I like the choice of words there.  
Posted on July 30, 2009, 9:51 am
tgrundy
READER
 
Baron-Cohen has played three different characters in recent years – does this confuse you too? Having watched the clips on YouTube, I find it hard to understand you find it 'difficult to tell' what Vermin really believes. By playing a role and pretending to agree with these religious nuts, one gets a much more fruitful, revealing and hilarious exposé of their hypocrisy and ignorance. It's as simple as that - through the medium of the character we get a much richer and genuine insight, in addition to revealing the stupidity of who he encounters who can't tell he's playing up to them.  
Posted on August 30, 2009, 7:27 pm
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